Showing posts with label Wales. Show all posts
Showing posts with label Wales. Show all posts

Monday, December 29, 2014

First and Last Darkness



The light dims, a cigarette
end ground into glossy old-glass,
Navy ashtray of sky –
stars caught popping, air bubbles
racing from
long dimmed
creation fires.

This moment is a relic,
a museum hum
drum, passed by with a
shrug; visitors
crave electric.

What’s an old sunset
gathering dust?

As if from ghostly measure,
then, the tray is rocked
and balance hung -

Slow shattering, like tinkling water
rushed, screaming
steroided out on megaphones.
The noise wakens the eyes,
first and last awareness:

Darkness.


Posted for Real Toads' Open Link Monday.

Happy news!
I am ridiculously excited that a short story from my Welsh ghost/archaeological novel was chosen as a runner up in the AmeriCymru - West Coast Eisteddfod! Congrats to winner Sally Spedding for "The Fold," an eerie story of rural Welsh life that left me with goose bumps. Kudos to all entrants; the competition was fierce, engaging, and filled with talent. Thanks especially to judge Mike Jenkins (a writer I've long admired) and to Americymru's Ceri Shaw. Diolch!

Saturday, November 29, 2014

"Llansgi Roots" - West Coast Eisteddfod Competition Submission

(I may have been curiously absent from the blogosphere this month, but for good reason: many writing competition deadlines approach. I've had some pretty crazy coincidences involving one of my favorite annual competitions, hosted by Americymru, which perhaps I shall tell some other day.

This post is a teaser, just the beginning of one of my short stories, "Llansgi Roots." The full story is part of a novel I've been writing since 2008, when several trips to Tintern sparked a trio of interwoven stories. I hope you enjoy this excerpt.)



Llansgi, Wales, 2014
Her bones revealed she was 15 to 19 years old when she died of starvation, and they indicated that she had given birth. Her clothes had turned to dust hundreds of years ago; the archaeologist vowed it was a miracle the bones had been preserved at all, let alone so well. The speculation was that the shed had collapsed, buried her, and acted as a tomb, keeping air and sunlight out. There was sand – sand – on the ground under the skeleton; it must have been gathered elsewhere and stored in the shed. The sand’s presence could be the key, the archaeologist thought, to the skeleton surviving despite time and fate conspiring against her. How wondrous. This perfectly preserved skeleton, if contemporary to the metal jewelry and pottery in the shed with her, was at least 600 years old.

Llansgi, Wales, Late 1400s
She is a stranger. Everyone knows, of course, because everyone has known everyone else their whole lives. Not her; her face is new. She appeared in the village about three months back, in the middle of winter.

She stays in a barn on the edge of the village in exchange for milking the cows. She is skinny, and her clothes are little more than abbey rags. She spurns the advances of the men who proposition her, yet she doesn’t seek a husband. No one knows where she came from, who her family is, or what brought her here. She’s never been seen near the church. The only thing she is ever seen doing is walking.

She walks alone. She walks into the woods surrounding the village, avoiding the road. She collects herbs and flora, offering them to her farmer landlord for part of her rent, who sells them at market for a profit.

Word is that she is only ever seen walking to and from the abbey a few miles away. The village wives swear she is the consort of the fat monk in charge of the food stores. Their husbands reply, “Then she should have more meat on her bones,” which silences the gossip for a few hours.

She’s a stranger, which means that she will always be the focus of speculation.

But I know she doesn’t go to the abbey for rotund Brother Aurelio.

I found her, one day in the snow-swamped forest, before she had gone into the town, before the gossip had started. She was kneeling on the ground, hunched over some twisted root, digging it up. I cleared my throat from a few feet away, and she sort of rolled over, looking up at me.

“Hello,” she said.

“Are you alone?” I asked.

“Do your eyes generally work?”

I looked down at her sitting form, puzzled. “Yes.”

“Then it would appear that I am, no?”

“Do you always talk like this?”

“Only when I’m alone.”

“You’re not from here,” I said.

“You are,” she replied.

“Where do you live?” I asked.

She held up a twisted looking twig. “This root, when ground into a pulp, can help heal even the worst cuts and wounds.”

“How do you know that?” I asked.

“I read it in a book.”

I laughed. There’s no way on God’s green earth that she could read. Only monks can read. Monks and nobles. It’s practically forbidden for anyone else.

She stood up, turned away from me, and started down the deer path toward the abbey. I picked up a root she had dropped. It smelled like damp earth and decay. I flicked it off into the woods.

Later that week, my poaching cousin got skewered by his antlered prey in the woods and the wound turned red and purple and started spewing pus. I went to the abbey and the monks directed me to a lay brother, Bernard, who tends the herb gardens and orchard near the woods. He has only been at this abbey for a few years, but his medicinal knowledge is already respected even by the book-learned monks. When I sought his expertise for my cousin, he spoke little, which was to be expected as the abbey folk are known for their reticence. He ground something into a paste he then handed to me. It smelled of earth and decay, the same rotten root the girl was gathering in the woods.

About a week after that, when I was poaching small game for my cousin’s family during his recovery, in the distance I saw Bernard and the mystery woman. He looked around hurriedly before handing her a thin object. She unrolled it, a scroll, and appeared to scan it. Her lips moved as she appeared to tell him what it contained. When she saw me, she didn’t even try to put it away. Bernard spoke more words then than I’d ever heard him speak.

“Please, she’s all I have. I need her.”

He explained that the monks thought Bernard could read and were slipping him scrolls and requests for tinctures and potions. Only, he couldn’t read. He was just a lay brother good with plants. However, his lord brother’s daughter could read, and his brother’s whole estate had been toppled in a skirmish last year. His niece alone had escaped alive and come here. He knew she couldn’t stay in the abbey forever, but he needed more time to figure things out.

I didn’t say a word, and shortly after that, she moved into the barn at the edge of the village near my own family’s land.

Months have passed since my mysterious neighbor moved in. Spring pokes out late this year, weak, cold, and dry. The farmers fret that conditions are horrible for crops. Food is scarce. Even poachers, like my cousin, can’t find game. The girl’s forest gatherings make up more and more of locals’ diets. No stew can be found without her herbs. I leave my own garden for a few hours every day to help her. She shows me what to look for in the wild, cues like minute color variations in berries that render one edible and one poisonous.

She rarely speaks, but when she does, she says too much, revealing knowledge she should not have. When she gives her finds to the farmer, she tells him too much about what the plants can be paired with and what their healing effects might be.

The other locals are growing suspicious. Could she be the cause of the cold weather, the lack of rain? Didn’t she benefit when their crops failed? God’s punishing them for suffering a nonbeliever. She has the nerve to offer them food when she’s denied them their hard-earned crops.

I tell her of these rumors, beg her to join me at church, to marry me. My wife died several years ago, in childbirth, along with our daughter, and though my garden is small, it yields enough to trade for the things I need. She could be comfortable with me. The gossip would die down.

She pauses at what has become our meeting spot in the woods, in front of two saplings reaching out toward each other. We have started training them, guiding their branches, helping them to lean on each other. I reach for her. She leans into me, her back to my stomach, her small shoulders fitting between my arms.

“Do you see these two trees?” she asks. “We are like them. If we become entangled with each other, our fates will be wrapped up in one another. We shall love, but we shall also lack. I will not be able to continue helping my Uncle learn medicine. I could die in childbirth. And you? You would be a pariah.”

“I don’t care,” I say, and I mean it. She kisses me then, loves me, and it is the death of her.

The cold spring turns into a cold summer which gives way to a bitterly cold fall. Snow freezes the few resilient crops before they can be harvested. The entire village relies on the abbey’s stores to survive; well, the abbey stores and the learned girl’s scavenging. She is remarkably adept at gathering herbs and plants regardless of the seasons; her knowledge grows with the scrolls and books Bernard sneaks to her. Along with her knowledge, her belly grows, too. She is swollen with our child.

“Be my wife,” I implore again. She kisses me and shakes her head no. She will belong to no man. She will accept no help with her lot in life. She will always choose her own path.

I find a twisted piece of scrap metal that the blacksmith, an old friend of mine, lets me keep, and I wrap it with twine to give to my lady, a necklace. It looks like a root.

“Because I understand, and I am yours, just the same,” I say. When she turns away and her fingertips brush her eyes, I pretend not to notice, but I am pleased she is so moved.

When her belly gets so big she can’t bend over to gather plants, she accepts my help. She agrees to let me do the gathering, then to meet me at our tree for me to give her the stuff for the farmer and her uncle. We meet in the early afternoon, when wandering eyes are distracted by grumbling bellies. A large almost-black cat has taken to following her around; since it’s killed the mice and rats, she doesn’t complain. I call him “Brother Aurelio,” on account of the cat’s massive size and lazy manner.

The village whispers about the cat, calling it her familiar, claiming its presence is the proof they need: the girl is evil. An enchanter, a lurer of fine Christian men. The townswomen shake their heads at Aurelio, at their husbands, at me, at anyone who gives the herb-gathering stranger the time of day. She seems not to care, continues treading head-on through this harshest of years. Meets me, every day, through fog and ice and thundercloud, at the two little trees bent like one heart into each other.

One afternoon, she doesn’t come. I run to her barn. There is blood on her bed. No sign of her.

I knock on her landlord’s farmhouse door, but there is no answer. I run into the village, where smoke rises from the center square. Screams and shouts pierce the air. Evening descends and more villagers gather, their desperation threading into chaos.

“Seized by the devil, she was!”

“Bride of Satan! The babe’ll have the mark, of course.”

“She’s already sacrificed it! There was no baby when the miller found her convulsing and covered in blood.”

Dear Lord
, I think. What have they done with her?

“She’s the reason God froze us out! How could He provide us with bountiful harvests with that snake slithering in the grass?”

Mrreee!” an unearthly scream pierces through the commotion. Brother Aurelio, the cat. Someone has grabbed him. He wriggles, bites, claws; someone has tied a rope around his neck. I cannot bear to watch. I turn back into the crowd, searching for any sign of her.



Want to know more? Check out the rest at Americymru's West Coast Eisteddfod.

Monday, May 12, 2014

The Last Night of the Earth

It is the last night of the earth,
again.
Last year, glaciers melted and the world shrank.
There were Ice Ages and reigns of fire
and more history then.

If it is to end, again,
let it end like any other,
looking in from these
parapet peepholes
at these leaking stone walls
flowing amber curtains
cheap green carpet
gum-gucked furniture

I scrawled my name in blood across this place.

Tonight, I tear it down
brick by brick
ready to build again.


(Red-tinted Caerphilly Castle, Wales, 2008)

Wednesday, April 9, 2014

A Doll in Bute Park

In Chicago, this April is still almost-spring: snow piles still cling to building crevices, crocuses uncoil just to have epic winds and low-30s temps bombard them. Winter has come, and it is not yet ready to go. For whatever reason, this in-between atmosphere is taking me back to one drizzly fall morning in Cardiff, now many years past.

I am walking in Bute Park over damp orange leaves and green, green grass. An early-morning mix of mist and fog jumbles the corners of my sight; only a lonely jogger joins me here. The planted, tamed trees rebel, their roots jutting up through orange and emerald foliage to kiss the wet, lichened stones. It is a gray day, of the almost-white sort, the type of day when restlessness broils up through my veins, itchy.

In a book in my bag, I have a little woman.

Home printed vintage pictures are my bookmarks du jour.

Today, I think, she belongs here, in this park, out of the closed-in world of unread pages: the hooded doll venturing into the drizzle.


Sunday, February 9, 2014

Sheep and Rain


I dream of the gorse
and the tufted cloud-
sheep,
sleek,
the wobbly young
wed
to the ground.
but the sky is
a mother,
who gathers her own
up,
and the rain rolls down.

(my photos and poem, inspired by several Northern Welsh adventures)

Wednesday, September 14, 2011

"Morning Cwtch"

I peel the sheets off,
like seaweed and orange rinds,
and come to a hollow
where silence churns
flashing sunlight
bold colors,
a wind spinner.

At the end of my fingertips
and far, far away
the opal mountains
of your flesh begin.

I reach for them.
find creases.
follow them,
these rivers &
valleys.
I pass the borders,
marvel at their
carved perfection
and wonder where they lead
and whether I should follow.

Instinctually, I wander
farther than I meant to go
and find
a measure of
the unexplained,
untrodden terrain
and firefly candles
on a warm scented night.

-

Much thanks to my incredible partner for the inspiration. <3 BTW, this is my fifth entry for the West Coast Eisteddfod poetry competition; the deadline's tomorrow!

The link thingy is broken again, so here's the Website: http://americymru.net/group/westcoasteisteddfodlosangelescalifornia2011poetrys.

Monday, September 12, 2011

"Neither cruel nor prophetic"

Whew! Thank god writing's as much part of me as my fingernails or teeth contours, otherwise I definitely wouldn't be getting to it. Anyway, here's my fourth submission to Americymru's West Coast Eisteddfod's poetry contest. The formatting on my poem is much better over there, so go check it out!



A pharmacy dragged me here,
barely.
Here, this shabby restaurant
with grimy teacups
and gnarled fingers.
Numb customers, staring into
the hardness of the world,
gray as the sky,
dirt-lined as
the plates before them,
tasteless as the food,
distant as the beaches the guidebooks promised.

There is an unadulterated moment
when
the cook sneezes in the soup.

Neither cruel nor prophetic,
a blemished fate of fortuitous seconds.

Still, unmindful,
I settle.


-

This poem means so much to me. It is a true story, or as true as any story can be, about a little cafe outside the Swansea train station. I loved the place, for all its desperation, and those moments still stir in me, somewhere. ... I'll be submitting a short story to the WCE's short story contest that's also a variation of this theme.

If you're interested in submitting, the deadline's Thursday, 15 September. Cheers!

Wednesday, August 31, 2011

"On Climbing Mt. Snowdon"

I walked the coast, those smooth round stones my trial of ember.
An ocean baptized me, accepted my tears with waves and tides.
I crawled pregnant hills,
listened to the stories stirring deep in ancient caves
safeguarded by crumbling stone kings.

Windswept and raw like a beet,
I screamed
when I found myself tangled
in the roots of the mountain.
Here, my tears were foreigners in the cold brown earth.

As I climbed, I
lost my bones, my breath, my flesh,
the mist of my strength struggled up, up, up-
It got stuck
on frozen waterfalls,
shishkabobbed
on pikes of icicles.
And when the spirit reconvened
by the glassy gray lake
it feared being trapped in woolly white clouds.
Shapeless, it tumbled off the path.

There was the stern glare of the Man of the Mountain,
his eyes, nose etched in stone
and thin-lined mouth of water
frowning as he gurgled and he groaned,
“Get up!”

My howling legs obeyed
over the razor-rock path
where the mountain sheep bathed in sunlight.

I climbed till the mountain birds
swooped at my face
and
voices whispered warnings,
whimpered, “Fool!”

I climbed ‘til I almost believed them
AND THEN I reached the peak.

A snow globe world whirred,
birds landed subserviently.

It was an ending
intimating
dimly lit doorways
and sober choices.

For a moment,
a pause.

Oceans bowed to me,
Continents shrank,
Clouds fled from me,
And the Mountain sank
to its knees

with me,
all the way.





This is my third entry for the West Coast Eisteddfod poetry contest. Have I mentioned I'm so excited about the West Coast Eisteddfod? Even though I can't be there, the fact that there is such a large passionate group of Cymru-philes in the states makes me very, very happy!

The link application doesn't seem to be working right now, so here's where you can check out the contest: http://americymru.net/group/westcoasteisteddfodlosangelescalifornia2011poetrys

Saturday, August 27, 2011

"Mumbles"

Second entry for the West Coast Eisteddfod Poetry Contest:


Floorboards creak beneath my feet.
Darkness edges off this scene.

Bit by bit I see
ever-blue skies, pregnant,
piers painted then weathered
gray, ragged
boards that quiver when the sky
churns, sloshes,
bursts.

You and I squeal like children,
put possessions overhead
between the air of river
and our painted faces.
We tap-dance-scramble to
the unwavering, brave beacon,
the curved café with walls of
glass, and steel.

Inside, water drips
down our noses.
I peel off my pea coat,
the faded sweater duster.
Remove the patchwork hat,
the shaded scarf
after.
You lose clothing,
too.

We sit across, exposed
staring at the meeting of sea and sky
old lovers
pricked by bitter endings,
dizzy one more time.

There was rosehip tea
and fruited cake.
We pretended to be
anything but two college kids
with barely a quid and
no borders.

There was a rainbow, after;
dome connecting coasts
separating sky and sea;
one sighed and the other mourned quietly.

That’s as close to home as I’ve ever been.

Friday, August 19, 2011

"Blood from the Wind"


Here is one of the poems I am submitting to the West Coast Esiteddfod's poetry contest:

“Blood from the Wind”
(inspired by a line from “Culwch and Olwen”)

1.
Shattering
a hundred years
in those seconds

he turned his head
away.

the wind unwound him
blue vessel by vessel-
I peeled his skin off
before.

At the top of the cliff,
I shouted his name
to the crabs
and the rocks
and the bitter sweet sea.

The salt air spit
him back
and
my tears tasted
of blood.

2.
Like blood from the wind,
I blossomed.
From nothing
to something
was born.
Had borne all the sorrows
from all the long years
and buried them in
my womb.

3.
Green mound of sacred earth
shrank, miscarried
as the wind brought
acidic mist.
The swirl ate the world.
No living thing.
Not one,
save
me.

Imagined
someone, anyone
breaking teacups,
sweeping the shards,
a sliver in the heel,
red footprints.

I followed them
but they led nowhere,
to the middle of the wind.

4.
Fog spun,
the world turned-
trapped,
I was wrapped
in a white robe.
Stars belted me
vines tethered me.
I watched the sea swell and freeze and melt and burn.
I watched cities grow and shrink and grow again,
candles, oil, electricity.
I watched tombstones become gardens
and tears become streams,
felt the piss of the world
hiss at my feet.

My soles burned.

They brought great paintings
and offerings
jewels and paper money
crops and livestock
because they thought-
They thought what?
That I could cup the sun?

My arms were too short.

They started hacking at my calves,
looking for the past or the future
in my veins.

They climbed me
leaving holes
driving stakes
plucking hairs
drawing blood…
looking for a
panacea.

5.
Pan smiled at me,
his cloven feet
dancing circles around my life.
The pain, the purity, the promise
the protest…
Perhaps
it could have been easier.

I doubt it.

To be alive is to be used-
bits of bone and blood
pieces scattered,
trying to find
a Whole
through a hole.

Cloudy with a chance of rain,
winds of a hundred miles per hour.

Stay indoors,
find shelter,
hold on to anything
anyone.

Hold on.

I’ll crawl
to you.

Tuesday, August 17, 2010

Of novels and Mnemosyne

Since the completion of my thesis, I've been diligently working on my novel. It's a yet-to-be-named ghost story set in Wales, imbued with a theme of self discovery and awakening identity. Thirty-one pages so far, with the characters and incidents dripping onto the pages effortlessly.

My main character is a young American woman who moves to Wales hoping to reconnect with her deceased father's spirit. She moves in with her aunt, her father's sister, and helps her renovate the decrepit family inn located in a tiny town. The town's claim to fame is a crumbling Cistercian abbey. During her stay, my main character experiences two ghosts: one of a monk and one of a young Victorian woman.

She sets out to uncover their stories and, in the process, discovers her own.

The entire story flashed in my mind while I was visiting Tintern Abbey in 2008. I've been obsessed with it since. I even dream from my characters' perspectives.

Here are some pictures of the place that so inspired me:


Resurrecting the Red Dragon

The past few weeks have been a whirl of happenings, travels, and adventures. I've been navigating the bureaucratic red tape for my thesis; just when I'd passed my defense and thought everything was golden, I found out there was another organization whose requirements I had to meet. Their requirements: getting new documents signed by professors who are no longer in Athens and completely reformatting my thesis.

Now I'm working on a lovely little conference paper based on my thesis (20 pages of my 95), also titled Resurrecting the Red Dragon. I'll be presenting this sparkling piece on Welsh postmodern national identity on September 24 at the International Conference on Global Citizenship, Collective Identity, and Tolerance.

I am very excited to share my ideas about the growth of postmodern, instrumentalist identities in the wake of receding cultural identities. Identities have forged the world as we know it: kingdoms, nation-states, wars, businesses, corporations; language, art, literature, etc.